
Acclaimed by Opera News as being “among the best,” and “…a colouristic tour de force” by the New York Times, Grammy® Award-nominated pianist Myra Huang performs in recitals and chamber music concerts around the world.
Highly sought after for her interpretation of lieder and art song, as well as her depth of musicianship and impeccable technique, she regularly performs with acclaimed opera singers worldwide. Her recital with tenor Lawrence Brownlee at Carnegie Hall was chosen by WQXR as one of 2018’s best classical recitals of the year, and Huang was honored with the Samuel Sanders Collaborative Artist Award for 2019 by The Classical Recording Foundation for her consummate artistry.
Huang's participation in the “Emerging Voices” project, curated by Nicholas Phan at The Philadelphia Chamber Music Society in January 2020, included six concerts exploring the themes of social connection through art song. In March 2020, Huang made her 92nd Street Y debut with mezzo-soprano Fleur Barron. This performance, one of the first concerts streamed online during the COVID-19 pandemic, was viewed by over 77,000 people from more than 125 countries.
Huang has served on the music staffs of the Washington National Opera, Houston Grand Opera, New York City Opera, and the Palau de Les Arts in Valencia, Spain. From 2011 to 2013, she served as Head of the Music Staff at New York City Opera. She is a member of the coaching staff for The Metropolitan Opera Lindemann Young Artist Development Program, as well as The Atkins Program at The Mariinsky Theatre in St. Petersburg, Russia.
Huang is a Steinway Artist.
PROGRAM
MASTER CLASS
WITH MYRA HUANG
FEBRUARY 10, 2025
4:00 PM - 6:00 PM
MOREHOUSE COLLEGE
Presented by THE DENYCE GRAVES FOUNDATION
In collaboration with, THE METROPOLITAN OPERA
With pianist, Ella Lewis
WELCOME
The Denyce Graves Foundation
CHANEY POOLER , MEZZO-SOPRANO
Must the winter come so soon? from Vanessa | S. Barber
If There Were Dreams To Sell | J. Ireland
LESH'IN EDWARDS, TENOR
De' miei bollenti spiriti from La Traviata | G. Verdi
Una furtiva lagrima from L'Elisir d'Amore | G. Donizetti
DESTINY ELIZABETH BROWN, SOPRANO
L'ho Perduta, Me Meschina from Le Nozze Di Figaro | W.A. Mozart
7. El tra la la y el punteado from Tonadillas | E. Granados
TRAVIS HALL, TENOR
Ecco, ridente in cielo from Il barbiere di Siviglia | G. Rossini
O Wie Ängstlich from Die Entführung aus dem Serail | W.A. Mozart
DAYELA LIMA, MEZZO-SOPRANO
Va ! Laisse couler mes larmes from Werther | J. Massenet
Bel Piacere from Agrippina | G.F. Handel
AMANDA SHERIFF, SOPRANO
Caro nome che il mio cor from Rigoletto | G. Verdi
Ich bin eure Liebden from Der Rosenkavalier | R. Strauss
CLOSING REMARKS
The Denyce Graves Foundation
A special thank you to Timothy Miller and the production staff at Morehouse College for their hard work in making this program a success.

WHY DGF MATTERS
The programs of the Denyce Graves Foundation (DGF) promote access and inclusion in American classical vocal arts by championing the hidden musical figures of the past while uplifting young artists of world-class talent from all backgrounds and preparing them for a successful future.

TO OUR SUPPORTERS





JOHN J. POHANKA FAMILY FOUNDATION TRUST
EUGENE B. CASEY FOUNDATION
ROBERT WOOD JOHNSON FOUNDATION
ERWIN L. GREENBERG CHARITABLE FOUNDATION
WITH MUCH GRATITUDE

1050 Connecticut Ave NW, Ste. 500
Washington, DC 20035
1325 Avenue of the Americas, 28th Floor
NYC, NY 10019
917-821-3437
Our Federal tax ID is 86-2276658.
The Denyce Graves Foundation is a 501(c) (3) non-profit organization.
Hidden Voices uncovers and celebrates the contributions of our nation’s outstanding musicians of color whose achievements are not widely known but have an important place in our evolving American cultural identity.
Generational Voices addresses the often missed vulnerability in the careers of emerging artists; offering mentorships, advocacy, and access to top industry professionals, preparing these singers to take ownership of their career trajectories.
Shared Voices, DGF’s initiative to promote belonging, access, and inclusion, invites elite historically black colleges and universities (HBCUs) and conservatories to participate in a relationship that strives to create and encourage meaningful connections between consortium members – students, faculty, and administrators – that result in a greater awareness of the diversity within the classical vocal arts and culminate in a meaningful collaboration.