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Raehann Bryce-Davis has been hailed by The New York Times as a “striking mezzo soprano” and by the San Francisco Chronicle for her “electrifying sense of fearlessness.” In the 2021-2022 season, Ms. Bryce-Davis makes notable house debuts at the Metropolitan Opera in Stravinsky’s The Rake’s Progress, at La Monnaie de Munt, Brussels, as La Zia Principessa in Suor Angelica, and at the Glimmerglass Festival singing Azucena in Il trovatore. Additionally, she returns to both Los Angeles Opera and the Staatstheater Nürnberg as Azucena in Il trovatore, and to Opera Ballet Vlaanderen as Der Komponist in Ariadne auf Naxos. On the concert stage, she joins Chineke! for a BBC Proms performance of Beethoven’s 9th Symphony conducted by Kevin John Edusei, and sings solo recitals at both the Tuesday Musical Club in San Antonio, TX, with pianist Heeyoung Choi, and for the Merola Opera Program with pianist Jeanne-Minette Cilliers. 

Ms. Bryce-Davis’ Concert highlights include the world premiere of Paul Moravec’s Sanctuary Road at Carnegie Hall; which won a Grammy Nomination, Verdi’s Requiem with conductor Kent Nagano and the Orchestre symphonique de Montréal at the Olympic Stadium, Elgar’s Sea Pictures at the Musikverein in Vienna with the Tonkünstler Orchestra, Verdi's Requiem with the Oratorio Society of New York at Carnegie Hall, the world premiere of Anthony Davis's We Call the Roll with The Lied Society, Martinů’s Julietta with the American Symphony Orchestra at Carnegie Hall, Corigliano’s Of Rage and Remembrance at the Aspen Music Festival, the world premiere of Come, My Tan-Faced Children by Melissa Dunphy at Lyric Fest, Mahler’s Symphony No. 2 at the Cathedral Church of Saint John the Divine, Prokofiev’s Alexander Nevsky with Maestro Philippe Entremont at Manhattan School of Music, and Mahler’s Symphony No. 8 with the South Dakota Symphony Orchestra. Bryce-Davis is a 2018 recipient of the prestigious George London Award at the George London Competition, the 2017 1st Place and Audience Prize-winner of the Concorso Lirico Internazionale di Portofino competition; chaired by Dominique Meyer, Winner of the 2016 Richard F. Gold Career Grant at the Merola Opera Program, Winner of the 2015 Hilde Zadek Competition at the Musikverein in Vienna, and the 2015 Sedat Gürel - Güzin Gürel International Voice Competition in Istanbul. She holds a Master of Music and Professional Studies certificate from the Manhattan School of Music and a Bachelor of Music from the University of Texas at Arlington.


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